Saturday TV: Here Comes the Final Four at Last
Here it is: the NCAA Men’s Basketball Tournament Final Four, ready to go, with Florida vs. Auburn (CBS, 6 p.m.) followed by Houston vs. Duke (CBS, 8:30 p.m.). It plays…
Friday TV: ‘Austin City Limits’ Celebrates 50th
The other late night show marking a half century this year has a two-hour special, “Austin City Limits Celebrates 50 Years” (PBS, 9 p.m., check local listings). Performers include Leon…
Thursday TV: New ‘Pulse’ From Netflix
At a time when ER dramas are back in style, after the success of shows like “The Pitt” (Max, streaming), here’s “Pulse” (Netflix, streaming), a new show about a Miami…
Wednesday TV: Remembering Oklahoma City
The 30th anniversary of deadliest instance of domestic terror happens this month, and the first documentary that will mark that dark date is the three episode “Oklahoma City Bombing: One…
Tuesday TV: The Rise of Liza Minnelli
Born under the shadow of her mother Judy Garland’s showbiz legend, Liza Minnelli emerged as a top star herself, a story that’s told on “American Masters” (PBS, 9 p.m., check…
Capital Radio 3-31-25: Secret Messages on Signal
Supposedly secret messages illegally sent through a commercial texting platform (and carelessly also sent to a journalist) remains the talk of D.C. and was the subject of half of Capital…
Monday TV: Guy Ritchie’s New ‘MobLand’
The new series “MobLand” (Showtime, 8 p.m.), in part from director Guy Ritchie, concerns a London crime family battling with another clan. Tom Hardy plays a fixer hired to protect…
Sunday TV: ‘Call the Midwife’ Back for Season 14
“Call the Midwife” (PBS, 8 p.m., check local listings), which, when it began in 2012, was about British midwives in 1957, now opens its 14th season tonight in 1970. CNN…
Saturday TV: Mikey Madison Hosts a New ‘SNL’
Mikey Madison, Oscar winner from “Anora,” returns to television when she hosts a new “Saturday Night Live” (NBC, 11:30 p.m.) with musical guest Morgen Wallen. (Her last big TV role…
The Vigilante Movie Returns: ‘Shooting Heroin’
The vigilante film was at its heights as a genre a half century ago with ugly crowd-pleasers like the Charles Bronson franchise “Death Wish.” But it can be traced back…