Category Archives: Theatre

A Slight Kennedy Center Reopening

By Roger Catlin | Published: September 28, 2020

If you were planning the first in-person performance in the Kennedy Center in six months, a kind of historic cultural awakening after the darkness of the pandemic lockdown, you couldn’t go wrong with a double bill of Renée Fleming and Vanessa Williams. The opera diva and the glamorous pop singer and actress, harmonizing and soloing […]

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Theater Review: Hang Up and Dial Again

By Roger Catlin | Published: September 27, 2020

The pandemic shutdown, now entering its seventh catastrophic month, has necessitated a certain creativity if any theater at all is to be produced or consumed. Mostly, this has been through Zoom-derived entertainments, which as clever as some may be are, are usually no fun for the already Zoom-fatigued working stiffs from home. Other theater companies […]

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Wisdom from Terrence McNally, 1938-2020

By Roger Catlin | Published: March 25, 2020

Theater suffered a loss this week when the playwright Terrence McNally died at 81, of complications of our current plague, the coronavirus. It was a sad irony since many of McNally’s plays dealt with the effects of a previous plague, AIDS, in the 1980s. His plays, musicals and screenplays, which included “Frankie and Johnny in […]

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The Last New Play in Washington for Now

By Roger Catlin | Published: March 18, 2020

It may have been unrealistic to open a new play amid the coronavirus pandemic, but “The Realistic Joneses” did just that on Saturday at Spooky Action Theatre, a group whose name inspires no further confidence (it’s named after Einstein’s term for quantum entanglement – the ability of separate objects to share a condition at a […]

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When the Riches Ran Out for ‘Timon’

By Roger Catlin | Published: February 29, 2020

The week the stock market erases its year’s gains may be just the right time to open a not-often produced play about swift changes in fortune. “Timon of Athens” has a home at the Shakespeare Theatre Company if only because it’s one of his lesser-known plays. Long suspected to have been co-written, the splashy production imported […]

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The Touring ‘Simon & Garfunkel Story’

By Roger Catlin | Published: February 2, 2020

There is certainly a dramatic story to be told behind the highly successful 60s duo Simon & Garfunkel from a brief high school success that got them on “American Bandstand” to their later 1960s stardom, love/hate relationship and mutual artistic dependence. All of that is barely mentioned, though, in the nationally touring “The Simon & […]

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A Soulful ‘Motown Christmas’ at Signature

By Roger Catlin | Published: December 6, 2019

Because Christmas is mandatory on entertainment stages all month, it’s no surprise that a cabaret at Signature Theatre is again devoted to the Yuletide songbook. But in a clever and very welcome variation, they’ve approached the holiday through the classic interpretations of one of America’s favorite labels. “A Motown Christmas” brings together enduring holiday originals […]

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Dave Chappelle Snares Mark Twain Prize

By Roger Catlin | Published: October 28, 2019

The 22nd recipient of the Kennedy Center’s Mark Twain Prize for American Humor Sunday was a hometown hero, comedian Dave Chappelle — a perfect pairing, said comic Sarah Silverman, since “you both love using the n-word.” The marching band of his Washington D.C. alma mater, the Duke Ellington School of the Arts, joined in on […]

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Reviving ‘Merce Cunningham at 100’

By Roger Catlin | Published: October 6, 2019

Merce Cunningham’s legacy lingers in contemporary dance,  and avant-garde collaboration. He eliminated storylines in dance pieces, concentrated on movement as pointed as abstract art and vaulted modernist music (particularly that of his partner John Cage) to wide popularity. His 50 year presence in the dance world guaranteed his influence continue long after his death a […]

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‘The Juliet Letters’ Live Again

By Roger Catlin | Published: July 15, 2019

Running a small opera company requires innovation enough, but Washington’s Urban Arias goes further, by commissioning new works, or finding pieces that are little known or rarely performed and infusing them with reliable company talent that can electrify their purposely small audiences. They’re doing that now by closing their latest season with a performance of […]

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